Intervju med John-Erling og Dylan i Cinematography World

John-Erling Holmenes Fredriksen, FNF og colorist Dylan R. Hopkin snakker om bruken av farger i «Kampen om Narvik» i siste nummer av bransjemagasinet Cinematography World. Fredriksen og Hopkin gjestet nylig FNF Mandagsfilmen hvor de også snakket om samarbeidet med kostymeavdelingen og arbeidet i Resolve. “We wanted the vintage feeling of Kodachrome, but with a modern touch to it,” says Hopkin. “This meant I had to create colours with depth. When you shoot highly saturated colours, digital formats produce bright colours, while colours on analog formats have more density to them; that’s what we were aiming for.” … “To get the filmic densities I required, I was doing manipulations on specific tonal ranges and hues,” he explains. “Not only using the RGB colour space, but also cylindrical colour models such as HSL and HSV. In this way, I could manipulate luminance and saturation separately from each other in a cleaner way.”